Click Tarola

laSADCUM
Artwork
Dance, 2026

Boom Crash Candy Crush, which explores the embodiment of the militarisation of data through the construction of three characters who ascend and descend the museum's staircase.

The work takes marching and parading as the driving principle of these characters, whose corporealities are configured from tensions around virtuality, the military, the edgy, the playful and the cool.

In Click Tarola three characters are presented, driven and powered by behaviours, thoughts and aesthetics that appear disparate, to generate a convoluted state of relationship around the current digital complexity, traversing states and tax systems that reveal some of the complex dynamics and underlying effects of digimodernism.


Credits


Authorship: laSADCUM
Direction, choreography and costumes:
Guillem Jiménez
Featuring:
Judit Amengual, Vera Palomino and Johann Pérez

laSADCUM


laSADCUM is a dance project based in Barcelona. Founded in 2019 by Guillem Jiménez, it uses choreography to research and reflect on the influence of the digital world and virtuality on the behaviour of post-internet society.

laSADCUM has created four stage pieces, two small-scale (The Uncanny Valley, 2019, and The Lesson, 2020) and three large-scale (Aclucalls, 2022; Navaja, 2024, and Everafter, 2026). They have also held two exhibitions (Classmates, 2020, and Twink Twink Twink, 2022), as well as workshops and curatorial programmes, and have collaborated with various artists and institutions.

Boom Crash Candy Crush

What do an apparently innocent video game like Candy Crush, attention economies, and contemporary military infrastructures have in common? Featuring around twenty local and international artists, the exhibition explores how digital rewards and our interactions with screens fuel systems capable of shaping behaviour. A critical journey through the infrastructures that transform attention and data into highly valuable economic resources.