Interpretations of the Exhibition with Adriana Murad Konings

Activity
14 May 2026, 19h | Lecture | Lecture room

Open and free activity with limited capacity
Language: Spanish

 

Open lecture of the Santa Mònica collective learning and research programme Situations (making) #10, in the framework of the exhibition The Assault of Illusion

In this session, Adriana Murad Konings will offer their own reading of The Assault of Illusion connecting the works, mechanisms and strategies of representation that the exhibition proposes with the central debates in their field of research and practice.

The readings linked to the lecture are also inscribed in Situations (making) #10, Santa Mònica's collective learning and research programme, aimed at critically analysing how cultural devices configure illusions that shape our desire and our idea of reality.

This proposal forms part of the exhibition's public programme, which under the title Interpretations of the exhibition brings together seven contemporary voices to deepen and expand the questions raised by the project.


With the participation of Adriana Murad Konings


Adriana Murad Konings (Madrid, 1997) holds a PhD in Literature from the University of York. She graduated in General and Comparative Literature from the Universidad Complutense de Madrid and got her master's degree Literary Studies at Goldsmiths, University of London, and another in Narrative at the Ateneu Barcelonès Escola d'Escriptura. She was one of the translators of Hilda Doolittle's collected poetry. As a writer, she debuted with Los días leves (Binomio, 2023), a finalist for both the Herralde Novel Prize (2020) and the Nadal Prize (2023). Her second novel, Los idólatras y todos los que aman, was also part of the final selection for the Herralde Novel Prize in 2023.
 

The Assault of Illusion

An exhibition about art, illusion, deception and power. Featuring around twenty local and international artists, it offers a critical journey through various artistic techniques that have shaped our desires and our sense of reality. In the era of deepfakes and artificial intelligence, can art help us unveil these mechanisms of manipulation?