Coreografías de la prohibición

Do not enter without a ticket. Do not disregard the measures approved by the Board of Trustees. Do not approach works of art. Do not damage works of art. Do not disturb other visitors. Do not alter natural course of visits. Do not hinder the natural course of activities. Do not damage the installations. Do not neglect your children's behaviour. Do not enter with animals other than guide dogs. Do not forget the rules of conduct. Do not talk. Do not destroy the contemplative atmosphere. Do not put yourself or others in danger. Do not annoy. Do not attempt to document the experience through photographs. Do not activate the motion sensors. Do not carry backpacks without first having them searched. Do not enter with sports bags. Do not enter with suitcases. Do not enter with bags larger than 35 × 35 × 25 centimetres. Do not carry backpacks unless you carry them in front. Do not resist having your bag checked. Do not resist having your packages checked. Do not resist having your baggage checked. Do not enter with umbrellas. Do not enter with pointed objects. Do not enter with dangerous objects. Do not enter with objects that may damage the artwork. Do not use laser pointers in the rooms. Do not wear helmets. Do not wear disguises. Do not wear coats. Do not wear trench coats. Do not wear baggy, voluminous clothes in general. Do not enter barefoot. Do not enter completely naked. Do not enter partially nude. Do not enter under the influence of alcohol. Do not enter under the effect of narcotics. Do not bring bicycles on the premises. Do not come in with skates. Do not come in with skateboards. Do not use a tripod. Do not take photos using flash. Do not take photos with a lens. Do not take selfies. Do not use selfie sticks. Do not object to being subject to video-surveillance. Do not disobey customer service personnel. Do not disobey security personnel. Do not disobey Museum staff. Do not alter the smooth course of the visit to the Museum. Do not enter if you are under sixteen years of age unless accompanied by an adult. Do not leave anyone under the age of sixteen unaccompanied if you are a responsible adult. Do not leave any minor unsupervised. Do not leave children unattended. Do not stop holding children's hands. Do not carry children in your arms. Do not leave the guide on guided group tours. Do not be guided by anyone who is not accredited as an official tourist guide in Catalonia. No eating. No drinking. No smoking. Do not use radio equipment. Do not use electrical devices. Do not behave in ways that may disturb other visitors. Do not lean against walls. Do not climb the walls. Do not lay on the floor. Do not sit on the stairs. Do not block the way. Do not make unnecessary noise. Do not dispense penetrating odours. Do not raise your voice. Do not talk about things unrelated to art. Do not make unauthorised professional recordings. Do not reproduce photos taken at the Museum without permission. Do not distribute photos taken at the Museum without permission. Do not sell videos recorded at the Museum without permission. Do not touch the works of art. Do not touch the supports for the works of art. Do not touch art display cases. Do not touch the museum labels. Do not use pencil. Do not draw closer than two meters from the works. Do not paint without authorisation. Do not climb on objects, supports or display cases. Do not point at the artwork. Do not within 60 centimetres of the artwork. Do not run. Do not cause accidents. Do not use phone unless it's on silent. Do not carry weapons. Do not carry objects that can be used as weapons. Do not stay if there is an emergency evacuation. Do not break the works of art. Do not damage the building. Do not destroy heritage. Do not be asked to leave the premises. Do not be flexible with the rules.

Lucía Egaña Rojas

She is an artist, writer and trans-feminist, whose work intersects art with feminisms, colonial and migratory processes, post-pornography, technology and error. She works with media such as video art, artistic installations, collage or pedagogy. She has studied Fine Arts, Aesthetics and Documentary Cinema, and has a PhD in Audiovisual Communication. Egaña has published Enciclopedia del amor en los tiempos del porno (with Josefa Ruiz-Tagle, Cuarto propio, 2014) and Atrincheradas en la carne. Lecturas en torno a las prácticas postpornográficas (Bellaterra Edicions, 2017), which addresses the various branches articulating the post-porno movement in the Barcelona context. She had previously dealt with this subject in her first documentary film, Mi sexualidad es una creación artística (2011). Egaña has been a member of the educational team and the academic direction of the MACBA Independent Studies Programme, has co-directed the Institute of Porno Studies and has been involved in the organisation of the Muestra Marrana festival and the miniprimer.tv collective. She is currently a member of the Cooperativa de Tècniques group.

luciaegana.net